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A CAR CUSTOMISER has built a spectacular Chevrolet low rider boasting over 600 custom parts. Chris Roark, from California, has transformed a 1958 Chevrolet Impala after his previous show-winning car, called The Perfect Score, was destroyed in a crash. Chris told R.Rides: “The Perfect Score was a three time Lowrider Magazine show winner and, on our third title coming home, we were cut off and we got swiped over onto the embankment. The trailer came loose from our toe rig and the car was totalled. That loss, it was very, very tough.” After the accident the other members of the Traditional car club encouraged Chris to create another car in honour of The Perfect Score. From there, The Final Score was born. The impressive lowrider was customised in every way possible with Chris estimating there is close to 600 custom machine parts in the car. This included the door handles, which were shaped for pop doors. The interior was made with full leather ostrich skin, with custom logos engraved on the seats. And everything matches, with the whole engine was engraved to match the outer pinstripe paint. Even the motor was customised, a LS1 that came out of a mid-80s Corvette. Chris told R.Rides: “When I look at the Final Score, I see engineering, craftsmanship and detail.” Despite the success of the original lowrider, Chris’s fans weren’t immediately approving of his new build. Chris explained: “A lot of people didn't take to it when it first came out. They were like, ‘What is this?, this doesn't look good, what are the colours that are mixing?’ “But a couple years went by and now you start to see a lot of people starting to entertain all these different colours.” The lowrider has built up a legion of fans, but will Chris continue building these cars? He said: “It’s tough as you get older, you slow down. I have my son and my nephew that are young guns and they've been keeping the fire under me to keep me going.” Chris’s son, Chris Jr is now leading the next generation of car customizers. Chris Jr told us: “My favourite part of the low rider is when you could get in it and drive, put the top down, just have fun. And they're different, they're unique, not everyone likes low riders, but everyone has their own different tastes. I just like to be behind the wheel and feel the creation of building something that’s unique like this.”
⏲ 4:18 👁 2.2M
Kamran Hossain Rashid
⏲ 3 minutes 49 seconds 👁 334.3K
BIjOy BD
⏲ 4 minutes 11 seconds 👁 204K
Dermot Kavanagh, from London, was visiting Kruger National Park, South Africa, on April 11 when he spotted the six dogs enjoying a drink.<br/><br/>Dramatic footage shows a crocodile suddenly spring forward with its jaws gnashing at the nearest wild dog causing them all to jump backwards.<br/><br/>Surprisingly the dogs continued to goad the massive reptile leading the crocodile to launch itself forward for a second time eventually causing the nuisances to leave.<br/><br/>Dermot said: “We have never seen a crocodile launch out of the water like that before, let alone at wild dogs. It was definitely a once in a lifetime sighting.<br/><br/>“Usually wild dog sightings are very quick and they disappear into the bush as quick as you saw them. We were with these guys for around an hour in total.<br/><br/>“My wife and I just looked at each in disbelief, knowing we had seen something special.<br/><br/>“The altercation with the crocodile went on for around five minutes. It started with the wild dogs drinking, the crocodile then approached before launching out of the water.<br/><br/>“We thought the wild dogs would run away but then they started goading the croc, which in turn launched again.<br/><br/>“Eventually the dogs saw sense and carried on with their hunt. We followed them for another 5kilometres or so before they chased some impala into the bush.”
⏲ 1:44 👁 40K
SHT MEDIA
⏲ 3 minutes 50 seconds 👁 8.4K
LABID TELECOM
⏲ 3 minutes 46 seconds 👁 124.8K
Julien Creuzet / French Pavilion at Venice Art Biennale 2024. <br/>Official description: The sight of the matoutou falaise is a gift when it appears in dense forests, on the bark of the Zamana trees or the rocks of the Martinique shores. It requires a deep connection to the environment; an eye that sweeps the contours and glides over the textures. It is about appearances and disappearances, what is given, protected, and also unseen... This way of seeing is undoubtedly what Julien Creuzet strives to offer through the experience of his work. It describes an immersion in a poetry of forms and sounds, volumes and lines in movement, colourful encounters forming new languages: an experience to be lived deeply. This tarantula, endemic to Martinique, could well be the symbol of a way of being with art that history has yet to write. It nourishes, and protects, in the teaching of a sensible and poetic understanding of the world it offers a softer gaze to approach the many ecologies of life. Creuzet’s forms stem from a locus of emancipation, which must be felt to truly see. It is a moment of learning and unlearning as a reconciliation with our senses, as well as a space to be untranslated and liberated.<br/><br/>Julien Creuzet: Attila cataracte ta source aux pieds des pitons verts finira dans la grande mer gouffre bleu nous nous noyâmes dans les larmes marées de la lune. French Pavilion at Venice Art Biennale 2024. Venice (Italy), April 19, 2024.
⏲ 10:1 👁 30K
SHT MEDIA
⏲ 4 minutes 15 seconds 👁 6.9K
MD. Rabby
⏲ 2 minutes 25 seconds 👁 4.1K
Rajujhuma44
⏲ 3 minutes 46 seconds 👁 3.3K
Doyel Agro
⏲ 12 minutes 12 seconds 👁 179.2K
MILA ISLAM
⏲ 4 minutes 40 seconds 👁 4.5M
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