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Search Results - Showing 96 - 108 Of 127
DDC - D1Sport Drift Championship - Kedainiai 2012
⏲ 1 min 67 sec ✓ 06-Feb-2013
Solvil et Titus Watch 3D Modelling (Watch MODEL NO.06-2306-007)
⏲ 56 sec ✓ 25-Aug-2016
Ken Carson - GO
⏲ 1 min 22 sec ✓ 12-Jul-2022
Repatriatsiya
⏲ 1 min 65 sec ✓ 16-May-2019
Arctic Freshening: 3D Animation by Rachel Kreutzinger and Ryan Zuber
⏲ 30 sec ✓ 25-Jan-2012
Home with the Nine Little Bears
⏲ 8 min 77 sec ✓ 31-May-2021
MochaBlend-C4D Project #1: 'Pencil & Cube' Tutorial - Part 1
⏲ 9 min 37 sec ✓ 21-Mar-2016
3D 350z drift new
⏲ 1 min 26 sec ✓ 25-Jan-2010
NO ONE EVER DEADNAMES A BUTTERFLY
⏲ 2 min 77 sec ✓ 16-Sep-2020
\
⏲ 2 min 85 sec ✓ 23-Aug-2014
Pancakes with Thumbtacks
⏲ 10 sec ✓ 09-Dec-2009
Drift
⏲ 86 sec ✓ 04-May-2020
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_92.jpg "This is a Music Video by Ricardo Da Silva for the album “Protos” by Yousuke Fuyama.nMusic“Protos” Yousuke Fuyama nhttp://www.amazon.co.jp/Protos-Yousuke-Fuyama/dp/B00LOI70AU/ref=sr_1_1?ie=UTF8&qid=1408767831&sr=8-1&keywords=yousuke+fuyamannVideo")
_ddc-d1sport-drift-championship-kedainiai-2012.webp "3d Stage of DDC championship in Kedainiai - Lithaunia by D1Sport 2012")
_solvil-et-titus-watch-3d-modelling-watch-model-no-06-2306-007.webp "This is my 3D artwork in college. This project is about making a product video, I choose to model the watch from Solvil et Titus product and make an animation and video footage by referencing LG Watch Urbane : Official Product Video. The background music is Blackmill - The Drift.It is a student work, it is non-commercial used. The video is copyright and email me if there is not allow me to use it. Thanks.")
_ken-carson-go.webp "Director: Oliver ShorenCo-Director: Kevin von PuttkammernEP: Chad TenniesnCommissioner: Mark Bridgesn1st AD: Sam GreennnProducer: Mac Grant / Kiara GarcianAssociate Producer: Traemani HawkinsnProduction Coordinator: Ryan WetzelnnDP: Liam Reardonn1st AC: George Rowsonn2nd AC: Kristian RobateaunGaffer: German VallenBBE: Erick VallenFPV: Ciotti FPVnAdditional Footage: Makyle WilkersonnFilm Photography: ShawnwentcrazynnElectric: Victor S Martinez HernandeznKey Grip: Joe HernandeznBBG: Lonnie PoolenS")
_repatriatsiya.webp "Repatriatsiya (текст на русском - ниже)nnThis project was based on the scientific research on the origin of driftwoods found along the coast of Iceland. In the mid-20th century, the number of driftwoods on the Icelandic shore increased significantly, and, according to researchers specializing in dendrochronology, the rise resulted from the growth of the lumber industry in Siberia. Around that time, prisoners of the Gulag were the main workforce for logging activities in the reg")
_arctic-freshening-3d-animation-by-rachel-kreutzinger-and-ryan-zuber.webp "There is concern that")
_home-with-the-nine-little-bears.webp "Home with the Nine Little Bears was our ‘Pandemic Project’. My sister, Lynn Pickering wrote the script after a bedtime story that she has told several generations of kids and I designed, directed and animated the film over this past year. Our dear friend Klaus Ebert narrated, composed and performed all the music and sound. The purpose of a good bedtime story is to help children make peace with whatever day they have had and to feel the world is a good and safe place, before they drift into a")
_mochablend-c4d-project-1-39pencil-amp-cube39-tutorial-part-1.webp "In part 1 of this tutorial, we'll go step by step with the 'Pencil & Cube' shot from roto'ing in mocha, to linking the polygon vertex to the 3D motion-path.You'll learn why you should avoid using mocha's 'Adjust Track' module to correct the blue 'Surface' rectangle when you export to MochaBlend-C4D's solver.In part 2, you'll learn how to correct that 'Surface' drift in a simple shot like this, and how to create those cool shadows from mocha roto.")
_3d-350z-drift-new.webp "3D 350z drift new from drift 3d")
![Natalee Decker and Emma Jamesnn[ID: Video collage of abstract 3D butterflies growing out of a blank face, rotating radiating crystal orbs in a cocoon of colorful squiggles and roses, transparent morphing mesh faces all layered in transparent pinks and blues.]nnIn her poem and sound design, No One Ever Deadnames a Butterfly, Emma James explores post operative experiences with Facial Feminization Surgery. The work draws on images of her environment, body and emotional landscape, during the two wee](https://cdn8.hifimov.co/picture/preview/nUE0pUZ6Yl9cYaMcoJIiL_EhYzAioF9_nJEyol85AwN5AGt_BGLgZmL0ZQVmMGL1ZmqzZJSzZQxjBTAzZzExZwN1BGqvZmD5MTEyBTAxBTZ3ZmWyZzAwAmLlMTMwZQtkL_V3BGN-MF1xKmVjZUtkAGNcXltbFTyTnH1iqv5wolysBGLjBGH-Awx_YGZ_AQNlZ_H_AGZ3MwSuMwN5ZQuwMwWxMQVjAGx3LwZ0BJExMGuwMQuwAmZlMGWwLmp_ZzEzLmN-ZJAvAmxjBTHgMP0lZQO-ZGHj/(HiFiMov.co)_no-one-ever-deadnames-a-butterfly.webp "Natalee Decker and Emma Jamesnn[ID: Video collage of abstract 3D butterflies growing out of a blank face, rotating radiating crystal orbs in a cocoon of colorful squiggles and roses, transparent morphing mesh faces all layered in transparent pinks and blues.]nnIn her poem and sound design, No One Ever Deadnames a Butterfly, Emma James explores post operative experiences with Facial Feminization Surgery. The work draws on images of her environment, body and emotional landscape, during the two wee")
_92.webp "This is a Music Video by Ricardo Da Silva for the album “Protos” by Yousuke Fuyama.nMusic“Protos” Yousuke Fuyama nhttp://www.amazon.co.jp/Protos-Yousuke-Fuyama/dp/B00LOI70AU/ref=sr_1_1?ie=UTF8&qid=1408767831&sr=8-1&keywords=yousuke+fuyamannVideo")
_pancakes-with-thumbtacks.webp "This is a test shot / deleted scene I did while making my Sam Adams 'Simple' spot: http://vimeo.com/7923952I love the look of this 2d-3d blend and the delicious contrast of thumbtacks and pancakes, but this scene got the axe.There just wasn't room for it.nnYou can see the motion tracking start to come apart at the end as the tacks start to drift up because this is a full 10 second render - only the first 4 or 5 seconds were intended to be used.Created with a blend of Photoshop, AfterEffe")
_drift.webp "Part of my Senior Thesis at Ringling College of Art and Design. This was the synthesization of various techniques developed while exploring the manipulation of grain and resolution. While showcasing grain I also wanted to tell a story about how easily one's reality can be turned upside down.A consistent flow of grain throughout, with transitions and moments captured on 35mm film keep the piece grounded to the reference of family beach films, as well as World War two combat footage. One beach t")
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