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Search Results - Showing 48 - 60 Of 67
Acoustic Reggae Guitar Lesson - How to Play a Reggae Guitar Rhythm
⏲ 3 min 24 sec ✓ 21-May-2021
Keola’s C (‘Wahine’) | C-G-D-G-B-E | World of Tuning | Rāga Junglism
⏲ 1 min 5 sec ✓ 22-Mar-2022
Bluegrass Flatpicking Solos in C - Guitar Lesson
⏲ 3 min 91 sec ✓ 16-May-2022
Video Lesson - Faster & Smoother Chord Transitions
⏲ 3 min 44 sec ✓ 11-Aug-2014
5 Minute Guitar Lesson - From Jazz to Rock Part 2
⏲ 2 min 50 sec ✓ 06-Apr-2020
Orkney | C-G-D-G-C-D | World of Tuning | Rāga Junglism
⏲ 1 min 5 sec ✓ 22-Mar-2022
Ead-Gad | E-A-D-G-A-D | World of Tuning | Rāga Junglism
⏲ 1 min 5 sec ✓ 22-Mar-2022
Rhythm Moods 1
⏲ 4 min 9 sec ✓ 05-Sep-2022
Silvan de Smit: A. C. Jobim V. Moraes - A Felicidade (arr. R. Dyens)
⏲ 2 min 53 sec ✓ 20-May-2023
Yvette’s Dadd9 | D-A-D-F#-A-E | World of Tuning | Rāga Junglism
⏲ 1 min 5 sec ✓ 22-Mar-2022
Week 3 Feb 14, 2024
⏲ 54 min 38 sec ✓ 16-Feb-2024
Open A (‘Spanish’) | E-A-E-A-C#-E | World of Tuning | Rāga Junglism
⏲ 1 min 5 sec ✓ 19-Mar-2022
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_rhythm-moods-1.jpg "This is the beginning of the Rhythm Moods series in the Guitar Zone.Lecture and demonstration of a rhythm in 4/4 time with the strum * Down - Down - Up - Up - Down - Up * The use of dynamics with the healing C chord -* Big Mama Chord to theC Major 7 healing chord - warm sound - Basic psychology of rhythm moods - feelings - emotions to the strumming/brushing techniques.")
_acoustic-reggae-guitar-lesson-how-to-play-a-reggae-guitar-rhythm.webp "� Check out the following gifts & offers from Jimmy Dillon…n�Get Modern Acoustic Guitar - https://www.jimmydillon.com/a/28476/42muKcaqn�Free Sneak Peek Of All 9 Guitar Courses - https://www.jimmydillon.com/a/28556/42muKcaqn�Warehouse Liquidation DVD Sale - https://www.jimmydillon.com/a/28557/42muKcaqn�Get Jimmy’s Entire Guitar Lesson Library - https://www.jimmydillon.com/a/28558/42muKcaqn�Jimmy Dillon Store - https://www.jimmydillon.com/a/28559/42muKcaqnnIn this Guitar Contro")
_keolas-c-wahine-124-c-g-d-g-b-e-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/wahine/ | “An quick-to-reach Open C variant mixing 5ths, 4ths, and 3rds. Popular in Hawaii as ‘C Wahine’ (‘woman’) or ‘Keola’s C’ after modern slack-key legend Keola Beamer. The Honolulu maestro, who has long used it to explore fresh chord voicings and mellifluous natural harmonics (ho’opapa), hails it as “one of the easiest and most user-friendly” slack tunings, describing its deep-toned power in evocative terms. “The low")
_bluegrass-flatpicking-solos-in-c-guitar-lesson.webp "Watch the full guitar lesson and download the tablature here https://countryguitaronline.com/back-porch-lesson-2-bluegrass-flatpicking-solos-in-c/nnLesson ID: A0205nnIn this guitar lesson, you’ll learn two 12-bar bluegrass flatpicking guitar solos in the key of C. These two solos are loaded with stock bluegrass licks that you can use to improvise solo breaks over the majority of bluegrass songs that are in the key of C.nnAs you’re learning the guitar solos, study how each lick fits over the")
_video-lesson-faster-amp-smoother-chord-transitions.webp "Guitar Instructor Steve Falter shows you how to make your chord transitions faster and smootherto make your songs sound better. This video cover transitions between G, C & D.")
_5-minute-guitar-lesson-from-jazz-to-rock-part-2.webp "Part one of this short series looked at how it is common for Jazz musicians to play various arpeggios over any given chord. Arpeggio substitution makes your lines sound interesting because the notes add extensions with the underlying harmony.nnImagine we play for instance a Fmaj7 arpeggio over our Dm7 chordnnDm7 DFA Cn1 b35 b7nnFmaj7 FA C En1 3 57nnWhen you play Fmaj7 over Dm7 you imply the sound ofnnDmin9nnThis is because between the notes you a")
_orkney-124-c-g-d-g-c-d-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/orkney/ | “Forms a Csus2 (or Gsus4) voicing, with intervals that ‘narrow’ as you go higher in pitch (two 5ths / two 4ths / one maj 2nd). Like a ‘Drop D’ version of Open Gsus, with the 6str providing added intrigue by creating a ‘C-G-D’ cycle of 5ths on the low side. Each note appears exactly twice – so make full use of all three of these parallel-octave possibilities. Named and popularised by banjoist and claw-hammer guitarist Stev")
_ead-gad-124-e-a-d-g-a-d-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/ead-gad/ | “A high-slackened tuning that essentially forms a ‘half-DADGAD’ layout (6-5-4str=Standard, 3-2-1str=DADGAD). This gives an ambiguous ‘open harmony’ – it can be seen as either a seventhless D9sus4, fifthless Emin11, thirdless G6/9, secondless Am11, or rootless C6/9 – or an A7sus4 from the parallel octaves on 5+2str. Great for creating complex chord inversions with the 2nd in the bass. Also also feel how the slackened 1+2str")
_rhythm-moods-1.webp "This is the beginning of the Rhythm Moods series in the Guitar Zone.Lecture and demonstration of a rhythm in 4/4 time with the strum * Down - Down - Up - Up - Down - Up * The use of dynamics with the healing C chord -* Big Mama Chord to theC Major 7 healing chord - warm sound - Basic psychology of rhythm moods - feelings - emotions to the strumming/brushing techniques.")
_silvan-de-smit-a-c-jobim-v-moraes-a-felicidade-arr-r-dyens.webp "� Immerse yourself in the enchanting world of Brazilian Bossa Nova guitar music with this stunning rendition of")
_yvettes-dadd9-124-d-a-d-f-a-e-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/yvette/ | “A melodious Open D variant, which retains Standard’s high E1str tone to give a spacious Dadd9 voicing. Pleasingly, the 6-2str intervals are arranged in descending order of width, narrowing in neat sequence as you ascend (7/5/4/3: 5th / 4th / maj. 3rd / min. 3rd) – until you encounter the unexpectedly wide 5th jump at the very top (2-1str). This layout retains many of the Open D family’s strengths – including one-finger power c")
_week-3-feb-14-2024.webp "Hi everyone,nnI wasn’t expecting to go into such a deep dive on fiddling and singing the other night! I suppose it’s natural to fall into a creative place of intuition instead of drilling down on the details, especially after doing something for so long. But re-identifying each of those different ways of supporting a song with chord movement, unison melody, harmony and whatever else was a great thing. I hope you can use it all for your own exploration! nnI mentioned some early recorded examp")
_open-a-spanish-124-e-a-e-a-c-e-124-world-of-tuning-124-rga-junglism.webp "Full page: https://ragajunglism.org/tunings/menu/open-a/ | “Matches the structure of a Standard-tuned Amaj shape (‘0-0-2-2-2-0’). Open A is like Open G’s ‘electric counterpart’ – it has the same interval sequence, but everything is raised up a whole tone (electric strings are thinner, so can go higher). Also used amongst acoustic bluesmen of the pre-amplified era, who often wound their strings as tight as possible to maximise volume amidst the noise and chaos of late-night juke joi")
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