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<br/>Copyright Disclaimer :<br/>FAIR - USE<br/>under Section 107 of the copyright act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.<br/>

(Ep7\ 2-2) 关于我转生变成史莱姆第2季 Ep 7 - Sub Indo ( 転生したらスライムだった件セカンドシーズン-パート2 ) (ครั้งนั้นฉันกลับชาติมาเกิดเป็นเมือกซีซั่น 2 )

⏲ 23:42 👁 90K

BJ CHANNEL

Goyang pantat semok bikin basah

⏲ 1 minute 12 seconds 👁 245.8K

koskos studio

IKLAN PALING WOW_gila cewek seksi banget!! (sange women part)

⏲ 1 minute 👁 169.3K

(Ep39) 西行纪-年番 - The Westward Ep39 Multi Sub from bokeh barat semok

(Ep39) 西行纪-年番 - The Westward Ep39 Multi Sub

⏲ 13:55 👁 45K

Pengangguran seksi

cewek cantik semok montok bahenol part 0964 telanjhang

⏲ 1 minute 31 seconds 👁 77.4K

Osga Novski

⏲ 37 seconds 👁 847.1K

Copyright Disclaimer :<br/>FAIR - USE<br/>under Section 107 of the copyright act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.<br/><br/>

(Ep11\ 2-2) 关于我转生变成史莱姆第2季 Ep 11 - Sub Indo ( 転生したらスライムだった件セカンドシーズン-パート2 ) (ครั้งนั้นฉันกลับชาติมาเกิดเป็นเมือกซีซั่น 2 )

⏲ 23:41 👁 15K

THE WILD

selingkuh dengan adik ipar yang bahenol

⏲ 6 minutes 27 seconds 👁 61.9K

SANGKURIANG STREET

PAYUDARA TERINDAH DIDUNIA

⏲ 2 minutes 56 seconds 👁 3.4M

<br/>Copyright Disclaimer :<br/>FAIR - USE<br/>under Section 107 of the copyright act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use.<br/>

(Ep12\ 2-2) 关于我转生变成史莱姆第2季 Ep 12 - Sub Indo ( 転生したらスライムだった件セカンドシーズン-パート2 ) (ครั้งนั้นฉันกลับชาติมาเกิดเป็นเมือกซีซั่น 2 )

⏲ 23:36 👁 25K

Gabee amdad ka waqia| An incident of supernatural aid | muzmil 215 voice <br/><br/>

Gabee amdad ka waqia| An incident of supernatural aid | muzmil 215 voice

⏲ 5:14 👁 5K

Depth of field might be one of the last considerations filmmakers make when creating a shot list. But that doesn’t mean it should be ignored. In this video essay, we’re going to look at camera basics like depth of field and how camera focus is used in visual storytelling. With deep depth of field, shallow depth of field, soft focus, rack focus, split diopter lens, and tilt shift lens, each brings a different perspective to your shots. This is Episode 4 of The Shot List: Depth of Field Explained.<br/><br/>Deep depth of field allows for action in the foreground, middle ground, and background; perfect for blocking and staging chaotic scenes like the opening shot of Gravity. Shallow depth of field helps to isolate subjects and guides the viewer’s eye with purpose and meaning — it’s also a great way to get that bokeh effect. Moonlight is full of shallow depth of field cinematography, bringing an extreme level of intimacy to the Chiron’s emotional journey. Soft focus can be used in dream sequences or flashbacks to give the cinematography a nostalgic glow, like Spielberg did throughout A.I. Artificial Intelligence. <br/><br/>A rack focus is a great way to use shallow depth of field to make connections between subjects without needing to cut. Often using a follow focus controller, the focus puller can achieve even the most complicated shots, like in Bong Joon-ho’s The Host. The split diopter lens is ideal when you want to isolate foreground and background subjects simultaneously. Auteurs like Brian De Palma and Quentin Tarantino use split diopter shots all the time, including some stellar examples in The Hateful Eight.<br/><br/>And, finally, we have the tilt shift lens. Tilt shift shots are rarely used in filmmaking because they can produce pretty radical images. In the Coen Brothers’ A Serious Man, cinematographer Roger Deakins was able to shoot the bar mitzvah scene by visualizing Danny’s marijuana-influenced perspective. <br/>Directing and cinematography are all about using images to tell a story. With camera focus and depth of field in your bag of tricks, there’s no limit to how much “depth” you can bring to your shot list.

Depth of Field Explained_ Ultimate Guide to Camera Focus [Shot List Ep. 4] (1080p_24fps_H264-128kbit_AAC)

⏲ 14:54 ✓ 28-May-2024

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