_sophia-bush-on-learning-to-listen-to-her-intuition.jpg "Sophia Bush On Learning to Listen to Her Intuition from sang nd Video Screenshot Preview")
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⏲ Duration: 14:33
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✓ Published: 25-Apr-2024
👁 View: 230K times
✓ Published: 25-Apr-2024
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Glamour's cover star Sophia Bush has never been more herself. From making the headlines after her divorce to getting into a new relationship, the actor opens up about her \
Glamour's cover star Sophia Bush has never been more herself. From making the headlines after her divorce to getting into a new relationship, the actor opens up about her \
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_hidden-desire-uncut-1991.webp "Hidden Desire is a 1991 Hong Kong comedy adult romance film written by<br/>Frank Kong Heung-Sang (江香生), directed by Ho Fan (何藩) and produced by Joe Wong Kong-Keung (黃港強). It stars Veronica Yip Yuk-hing (葉玉卿), Sharon Kwok Sau-wan (郭秀雲), Murakami Rena (村上麗奈), Gary Lam Kin-fai (林健輝) and Charlie Cho Cha-lee (曹查理).<br/><br/>A US buisnessman, David Chu, who makes a trip to Hong Kong to check on how his father's buisness is being ran. When there he meets two girls who work for his company named Joey (Veronica) and Joe Lin Tin Tin (Sharon). David has feelings for TinJoe and promotes her after firing sleezy General Manager Charlie Chao (Charlie) who has been emebezling company money. Unfortuntely for David he gets nowhere with her, so he sleeps with Joey instead. After realising that she isn’t the girl for him, he has a few one night stands with unnamed girls before meeting Yoshiko (Murakami) a Japanese girl whose father has taken over David’s struggling company. They have sex numerous times but eventually David realises he cannot love a woman for her money and beauty alone so he leaves her and returns to America. Yoshika then gets drugged and raped by Charlie.")
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_train-to-busan-full-movie-with-english-sub--.webp "Yeon Sang-ho’s “Train to Busan” is the most purely entertaining zombie film in some time, finding echoes of George Romero’s and Danny Boyle’s work, but delivering something unique for an era in which kindness to others seems more essential than ever. For decades, movies about the undead have essentially been built on a foundation of fear of our fellow man—your neighbor may look and sound like you, but he wants to eat your brain—but “Train to Busan” takes that a step further by building on the idea that, even in our darkest days, we need to look out for each other, and it is those who climb over the weak to save themselves who will suffer. Social commentary aside, it’s also just a wildly fun action movie, beautifully paced and constructed, with just the right amount of character and horror. In many ways, it’s what “World War Z” should have been—a nightmarish vision of the end of the world, and a provocation to ask ourselves what it is that really makes us human in the first place.<br/><br/>ADVERTISEMENT<br/><br/>Seok-woo (Gong Yoo) is a divorced workaholic. He lives with his mother and barely spends any time with his daughter Su-an (Kim Su-an). He’s so distant from her that he buys her a Nintendo Wii for her birthday, ignoring that she has one already, and that he’s the one who bought it for her for Children’s Day. To make up for this rather-awkward moment, he agrees to give Su-an what she really wants—a trip to her mother’s home in Busan, 280 miles away. It’s just an hour train ride from Seoul. What could possibly go wrong? Even the set-up is a thematic beauty, as this is more than just a train ride for Seok-woo and Su-an—it’s a journey into the past as a father tries to mend bridges and fix that which may be dead. It’s a perfect setting for a zombie movie.<br/><br/><br/>The 14 Scariest Mythological Monsters In Horror Movies<br/>Before they even get to their early-morning train ride, Seok-woo and Su-an see a convoy of emergency vehicles headed into Seoul. When they get to the train, Sang-ho beautifully sets up his cast of characters, giving us beats with the conductors, a pair of elderly sisters, a husband and his pregnant wife, an obnoxious businessman (a vision of Seok-woo in a couple decades), and even a baseball team. A woman who’s clearly not well gets on the train just before it departs, and just as something else disturbing but generally unseen is happening in the station above the platform. Before you know it, the woman is taking out the jugular of a conductor, who immediately becomes a similarly mindless killing machine. These are zombies of the “28 Days Later” variety—fast, focused, and violent. They replicate like a virus, turning whole cars of the train into dead-eyed flesh-eaters in a matter of seconds. They are rabid dogs. And you thought your Metra commute was bad")
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