_the-journey-of-charles-124-younger-preview-1.jpg "The Journey of Charles | Younger from younger season 6 episode 8 free online Video Screenshot Preview 1")
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_celebrity-gogglebox-season-6-episode-1-june-7-2024-full-episode-hd.webp "Fact by PB")
_92.webp "An eight-year-old boy is one of just 11 people in the world with a rare genetic mutation.<br/><br/>Grayson, now eight, was put forward for blood tests when he was diagnosed with autism as a toddler.<br/><br/>He was then put on a trial after a meeting with his geneticist who looked at his genetic markers - including his nose, hair, feet and hands. <br/><br/>His family thought no more about it until they got a letter back last year to say he also has a single nucleotide duplication called Shank2.<br/><br/>This means he was born with a rare genetic mutation which changed the DNA alphabet within his gene. <br/><br/>His mum Rhiannon Bourne, 29, said there is \")
_the-debu-taunt-younger-ep-8-highlight-124-tv-land.webp "TV Land")
_scottish-young-musicians-2024.webp "Scottish Young Musicians 2024<br/><br/>Euan Kemp, 17-year-old Saxophonist from East Dunbartonshire has won the Scottish Young Musicians Solo Performer of the Year 2024 the final of which took place at the Royal Conservatoire of Scotland on 26 May 2024. Kemp, an S6 pupil from The Music School of Douglas Academy, has been playing Saxophone since he was 11 years old and performed music by Ryo Noda and André Jolivet.<br/><br/>Second place was shared by pianist Magnus Shanks (aged 16) from Aberdeenshire and accordion player Jake Johnstone (aged 15) from South Lanarkshire, who as accompanied on the piano by his younger sister. There were 31 finalists in all with a range of instruments including saxophone, clarsach, accordion, guitar, pipes, trumpet and more. The day culminated in performances by the winning Scottish Young Musicians Brass Ensemble of the Year, Campbeltown Brass Ensemble and Ensemble of the Year, Belmont Academy Woodwind Ensemble from South Ayrshire. <br/><br/>The Scotland-wide competition is run by The Music Education Partnership Group who work with every school and local authority to support music education and opportunities. The final is the culmination of individual school and local authority competitions, and the competition this year involved local authorities covering 99% of Scotland’s population.<br/><br/>Singer and broadcaster Jamie MacDougall, who hosted the final, commented, \")
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_meet-the-makers-the-japanese-born-potter-making-yorkshirefolk-cherish-their-crockery.webp "There was a time not so long ago when tableware was displayed as the prized possession of households across Britain; fine china used only on special occasions and promised one day to younger relatives proudly adorned dining room cabinets. <br/>More recently, many of those inherited collections have found<br/>themselves forgotten or retired. In the twenty-first century, screen time and throw away culture has eroded the ritual of sitting around a table together at meal times. <br/>In many homes people opt for teas-on-knees while ready-meal packaging and mass-produced supermarket-bought plates have taken the place of the previously treasured dishes.<br/>It's a lack of connection to our tableware that Japanese born potter<br/>Makiko Hastings noticed when she first moved to the UK. <br/>Working from her studio in Knaresborough, she hopes her lovingly<br/>crafted wheel-thrown pieces will encourage a new way of using and<br/>cherishing our crockery.<br/>“One way of looking at pottery is that some people might want to have a collection and treat it like art to look-at, but I want my pottery to be used in daily life,” she explained. <br/>“That’s because the food culture in Japan is quite deep. Table gathering was an important part of my childhood.”<br/>“Over here everything was on the one plate and then quite casually it was just eat and done with - or otherwise people have set tableware and everything is just pristine, and for me that’s kind-of too polite or too posh. It’s not really living life.<br/>“I want my work to be part of daily life so people feel comfortable with it and cherish it.”<br/>Makiko embraces the slow process of pottery. <br/>New collections are never rushed to meet commercial demands - “ideas just come when you’re not trying to think. It just comes when you’re on a bus or walking and then eventually I’ll formulate how I want it.”")
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